Mick Haigh is an artist deeply connected to the earth. His humble mastery and excellence in pottery, draws life by using the elements around him. Natural clay from his surroundings, fired in a wood kiln - a method that embodies his dedication to tradition and authenticity.
He has a deep respect for nature, careful attention to each piece, and the intimate, personal process of shaping and firing the clay.
Mick begins with clay collected by hand from the riverbank near his home in the Midlands, KwaZulu-Natal. After soaking and sieving out roots and larger stones, the finer grit is left in, not as a flaw, but as a feature. These fragments connect each piece to the place it came from.
Each form is made using a manual kick wheel and shaped further by wire cutting, hand-building, and stretching clay over canvas. There are no templates. No rush. Just repetition, balance, and a quiet trust in the material.
Mick uses a traditional wood-fired Anagama kiln, an old method that gives each piece its unpredictable surface. Flames sweep through the kiln for days, leaving their trace behind. Ash lands on the clay and melts into a glaze; fire wraps around each piece, adding marks that can't be repeated.